While I was in London doing a two-day shoot in the studio for a production I would end my day by walking down the streets of London with a range finder camera and a fixed 35mm lens, it was a good break for me. Balancing the 100% manipulation studio photography and the 100% non manipulation Street Photography has always been essential for me. Having the interest in these two completely different genres of photography also means it requires two completely different skill sets in photography, but most importantly having the capability in performing these two extreme genres spiritually represents the Yin Yang in photography, it’s a balancing act and it maintains the Qi in my photography passion and my sanity.
Looking for shots in a busy city such as London needs tremendous focus, especially in Oxford Street where stream of people constantly flowing up and down sometime it felt like I was sitting in front of a conveyor belt in a Japanese restaurant, you have to decide fast what you want or you would miss it. The amount of people visiting this shopping district can be pretty overwhelming, regardless any day of the week. The nature of Street Photography is challenging and that’s what I love about it in this genre, you have nearly zero control but you can only act fast.
Street Photography is the most complex genre of all photography, it requires getting the right exposure, composition, focusing, timing, and story all together in a fraction of a second. There is no chance for rehearsal, no room for error, and if you miss it then it would be the next shot.