Tell-tale Lines, a personal project created in late 2015. It’s a tribute to the untold hard work, from stay-home mothers to nurses, from cleaners to clerks, and especially the pioneers of Singapore whose perseverance and resilient have inspired me to become who I’m today. The exhibition was first launched at The Substation on 16th March and ended on 28th March 2016.
The street photography exhibition of Design District Singapore has been roving since November in 2015. Started at the Red Dot Traffic Building when it was first launched, then showcased at Singaplural 2016, then hosted by Chinatown in Pagoda Street, now it is hosted by URA at Singapore City Gallery(next to Maxwell Food Center), 45 Maxwell Road, Singapore 069118.
The exhibition will be on from now till 29th May 2016. For enquiries regarding the exhibition, please contact email@example.com
Ha Giang, the final frontier in North Vietnam. 291km from Hanoi, it is the northernmost point of the country. Its land is filled with mountains and forests. It shares a border with the southern China’s province Yunnan which stretch 270km long from east to west. With a population estimated about 705,000, Ha Giang belongs to various ethnic minorities, such as Kinh, H’mong, Tay, Dao, Nung and Lo Lo. There are also two very rare ethnic groups, Pupeo and Phula, with population of less than 400 each. According to my guide occasionally girls from Ha Giang were kidnapped by the Chinese across the border and never be found.
Ha Giang’s main economic activity has been revolved around agriculture and forestry, but in recent years infrastructure has been improved in attempts to establish a manufacturing industry.
Despite being one of the poorest provinces of Vietnam, there was not once I was asked for money after I had photographed someone, unlike some other places I have visited. The people of Ha Giang are extremely friendly and welcoming but shy, due to the lack of encounter with the outsider.
The first run of my solo exhibition “Tell-tale Line” in March has finally ended. The success of the two weeks show at The Substation would not have been made possible without everyone who made it to the show. I would like to thank all the guests, friends, and my family members for the great supports you have given to me. The exhibition will be touring soon in the National Libraries and German Center, the dates are still pending.
More informations will be coming soon. Follow me on Facebook at alanlimstudio for updates.
When photographer Alan Lim was growing up in the 1970s and 80s, one scene entrenched itself firmly in his mind – that of people working hard. Whether it was workers laboriously grinding out tofu with a traditional stone wheel at his grandparent’s shophouse in Waterloo Street, or his father starting his day at 1am lifting and butchering meat in a Toa Payoh wet market, the ordinary person in post-independence Singapore was always hard at work.
This tireless ethic formed the backbone of Singapore’s miraculous ascent to affluence today. While the contributions of politicians and business leaders are well-documented and celebrated, success would not have been possible if not for the legions of everyman workers who toiled behind the scenes. Their stories were never recorded on paper. The only tell-tale signs now are etched on their weathered faces and hands.
“Tell-tale Lines” is a series of black-and-white photos that shines light on the wrinkled faces and hands of Singapore’s pioneers. The style is stark, personal, honest – allowing the subjects to tell their stories in the simplest of ways.
Venue: The Substation, 45 Armenian Street, Singapore 179936
Design District(DD) Singapore is a project of Red Dot Design Museum. DD is a curated group of hidden treasures of the city, they are small interesting independent shops, great neighborhood cafes or restaurants, creative designed hotel or hostel, and more.To commemorate Singapore 50 years of independence, Red Dot Design Museum decided to publish a photo book featuring all these unique places. When they first approached me with the proposal I didn’t take long to agree to take on this project, because it was a great opportunity to showcase Singapore in a non ‘tourism board’ way, meaning, less commercial. So it was a no brainer for me to decide to approach this project in the Singapore Street Photography style, my favorite.
Launched on 6th November 2015, the book has a total of 75 images taken in some of Singapore most historically rich areas, such as Chinatown, Tanjong Pagar, Amoy Street, Robertson Quay, Boat Quay, and Tiong Bahru.
This entire photo book is strictly kept only photos, there is only one page of text, which is the preface written by me. The book is extremely well designed and layout by Red Dot Design Museum. I couldn’t be more proud and honour to be part of this special project.
Beside the photo book there is also a photo exhibition. Some 30 photos have also be chosen to be exhibited at Red Dot Traffic Building starting from 7th November 2015. And on 4th December 2015 the exhibition will move to Pagoda Street in Chinatown. Hosted by Chinatown Business Association the exhibition will be there till 30th December 2015.
Not too long ago I was commissioned by a client to do conceptual people photography. The job required me to art direct and photograph a campaign for a play in London. After several months of discussion and conceptualisation, the shoot finally took place and off I was flown to the capital of England.
The shoot involved some extensive co-ordination because the entire team was made up of talents from different parts of the world, three prolific stage actresses from three different countries, Finland, England, and America, video crew and makeup artists from Italy, and myself a Photographer from Singapore. The shoot took two days in a studio once used to be a train station, the three actresses were photographed against a white background, the concept was to digitally stripped in a background and then passed down to a designer to create a vintage looking poster, booklet and billboard.
After the shoot had completed, back to Singapore and intensive post production work began. First it was hunting, a lot of legworks were put in to hunt for samples from different places and to photograph them. Second, back in the workstation, digitally reconstruction, mixing nature and metal to create make-believe elements as parts of the concept.
After a month or so the final collection of work was completed and was delivered to the client. The client was very happy with the result and he decided he wanted me complete the entire visual, meaning to design the poster, booklet and billboard as well. The reason for his decision was simple, I was the creator of the dish, I knew the flavour better than anyone else. Although I knew there would be a lot of eye damaging in front of the computer but I agreed to take up job further, and the final result was most satisfying.
In 2004, the deadliest tsunami in recorded history struck in the Indian Ocean, killing over 225,000 people and displacing another 1.7 million.
Communities along the coastlines Sri Lanka were completely destroyed, while the effects of the tsunami could be felt as far away as Tanzania and Madagascar.
In 2014, a decade has passed, a revisiting to one of the worst hit country to see how the people have recovered from the devastation. This gallery of documentary photography shot during a one week in Sri Lanka showcases this country is still as beautiful as before, the people have moved on and life has resumed as usual, almost.